From Arizona

Paintings In Costa Rica Photographs from the Southwest Creature comforts: the menagerie Chronicles: Poems from Arizona History Road to Ruins, Photos (AZ, CO, & NM) Recent Watercolours Birds around the house West of Remembering:Together on the Road Nora, Ernesto and Miss Petunia Paintings becoming poems From Arizona Poems from Home Animal Dreams

Words for an Annual Gathering

 

Our need for ritual brings us back

to cactus, sun and desert water

where the memory of a friend is waiting

as we speak to the hawks

and listen to the leaves newly greened

beside the creek. Each of us brings a vision

 

for the better world we describe

but cannot find. It could begin

as the flower on a barrel cactus

behind the mountain in its coat of spring

or in the nest a wren has woven

into undergrowth. It might be so close

 

we could touch it, or far away

as the planets on which

tiny machines roll and bounce

and send photographs back

for viewing on Earth between those

 

showing devastation wrought by bombs

or industry so heavy

the planet cannot bear its weight.

We say our names and plead not guilty,

pass a staff of wisdom hand to hand

 

hoping some of it rubs off

to fortify us until we circle again

beneath the eye of a raptor

admiring the grace by which

it takes only what survival demands.

 

By the Santa Cruz at Winter’s Edge

 

Three deer are chewing silence

in a mesquite bosque

while the sun dissolves and the grey

Mount Wrightson sky

parts for the granite wind to pass through.

 

 

In the wake of a mile-long rumble

and the horn’s mechanical wail

a skunk lifts its tail

to brush an owl’s call from the air.

 

 

Tracks in the Santa Gertrudis mud

show the who and the where

they were going the time

morning rain washed all light away. Silver

flows down to the river that flashes

with life and debris and an egret

flying low at the speed of a broken bough.

 

 

A cottonwood holds the sky

in its broken, winter arms. A Northern harrier

comes down to pluck its shadow

from the sleeping grass in sunlight.

 

 

In its grey season the river flows past a cold

metal gate that opens to let low cloud

go through, and a phoebe makes loops

around the mountain peak revealed

as it picks another insect

from the snowline.

 

 

In a mesquite at the corral fence, a Vermilion

flycatcher: a drop of winter’s blood.

Sunset in the Santa Ritas: a Recollection

 

The forces of wind and fire had made their peace.

It was that time of day a deer

wanders with such soulful steps

that even mountain ranges breathe calmly

from deep inside their

stormy foundations.

                                     A sacred peak

many valleys away

stood dispensing wisdom of the kind

that grows with time. History was trapped

in valleys beyond eyesight whose memory

was scented with incense. The panoramic ridges

lay still beneath a prayer-light

as the sun fused with

the rock.

               It held a while,

the yellow shading into pink and peach

and purpling clouds before

birdsong in the foothills turned them blue.

A tanager, an oriole, a lost thought

fused together as

a shadow pooled in a metate

left in place by a culture that simply

disappeared, the way

                                        the smooth clouds did

to clear the sky for what

moved in to fill the space between

waking life and twilight. A step toward

distraction and then a backward

look. The sinking rays

                                        ignited the underside

of clouds that broke in chorus

so to see was to hear

light as trumpet calls, brilliant

but softening, the way thunder

might do on deciding

to commit its inner thoughts

for safekeeping in the sky.

Moving On

 

Time runs slowly down

the west flank of the Continental Divide,

thumbs a ride to Duncan,

Arizona, and goes

into the restaurant on a Sunday

afternoon, to be

the only customer.

                                  It wanders out

to the park where leaves

are falling around the silent bandstand,

ticks along the only street,

stopping to address

the old cars back of houses

being claimed by the ground on which

they stand.

                    It stops to greet the man

standing in the doorway

under a No Vacancy sign at

the Duncan Hotel, but his eyes are lost

among leaves changing color

across the way, so it’s back

to the dining room

                                   for a dessert

of the Country Western music

that plays all day

through the kitchen radio,

but every song sounds

like every other one.

                                      It wants more

George Jones and Ernest Tubb:

some cheating and redemption,

and sunset is a threadbare flag

across the cowboy sky.

 

New Start Highway

 

A Red-tailed hawk on a power pole

surveys the last day in a year

riddled with deceit.

                              There is no truth

like his, with the fanning

of the primaries as he claims

his portion of the light

on a day too warm for the season.

 

Beside a slow running creek

the cottonwoods change color

while higher than cactus

                                        and mesquite

the air on the plateau is clear

where big trucks roll

and a lone tree is decked

out in tinsel, hope

and stars.

 

We’ve reached the altitude

for ravens, with dry

earth pressed against the sky. No

stopping now:

                      a valley

waits for rain,

the minutes tick away,

traffic signs point toward

the future, and bumper stickers

expire at midnight.

West of Lukeville

 

The ravens don’t much care

about the border, bouncing

as they do

between one country’s light

and another’s. And a hawk can cast

its shadow on both

sides at once

with a wingspan as wide

as a bobcat’s leap

and an eye as focused as a border guard’s.

It’s mostly quiet

here, except for the trucks

that move in their sleep

while the desert shifts beneath them

faster in Spanish

than this gravel road allows

as it dips and crackles

underfoot. The vegetation

greens into sunlight

and dries back to desperation

depending on terrain

while mountain after mountain

cuts into a sky that burns

at its edges come June.

Right now, a hammer taps

in a mechanic’s tinny workshop

where his radio is tuned

to salt and teardrops.

There’s a heaven

for the poor who look across

at where they’ve heard

a land of plenty

is at hand, but all they see from here

are saguaro

and the buckled ground

where a mule is a man with no face

and coyotes

dispense promises

of work in one language,

pay in another,

with a long walk through the night

and slow death in the sun

for those whose mariachi prayers

go unanswered. Supply

and demand are the laws: the land

demands rain

while the sky won’t supply it.

The doves call

out to springtime, and a breeze

responds. Who’s there; who wants

to enter? Who is it

wants to build a wall

to keep the heat away?